The higher the level of swing, the more the evenly numbered 16th notes (highlighted in red) are delayed.Īnd here’s how the same swing settings sound when applied to a 16th-note hi-hat pattern: Here’s the effect those swing settings have on the timing of 16th notes, with 16A at the top and 16F at the bottom. The manual defines those settings by swing percentage, using the same convention (50% = straight timing) as Linn: In the case of 16th-note swing, these are called 16A through to 16F. The main swing option in Logic dispenses with percentages altogether, offering a choice of six settings instead. At a 60% swing setting, the first beat would take 60% of that 8th note. You’ll still find that approach in hardware such as Akai MPCs, Korg Electribes, the DSI Tempest and DAWs including Logic and Reason. The most common approach (and the system we use in our Beat Dissected features) is the one implemented by Linn back in 1979, where straight timing is referred to as 50%, meaning that the first beat of every pair of 16th notes takes up 50% of the time of those two notes (i.e. Although most drum machines, sequencers and DAWs handle swing in essentially the same way – by delaying alternate notes very slightly – there are a number of slightly different ways of describing the same process.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |